It’s been quite the year. Perhaps the biggest surprise is that I’m still writing on this blog. I’ve started and stopped so many blogs and websites over the years that I find it hard to believe I’ve actually stuck with it for an entire year. We’ll see if I make it through another one! Self-discipline is heroic!
(Below is my victory dance)!
I figured today would be as good as any to write out a list of some of the awesome shit I did this year. To be honest, I would say this was probably the most memorable year of my life, and here I thought 2012 was the pinnacle! It just goes to show you how surprising life can be.
I read more books this year than I’ve read any other year of my life. A few of the highlights include: Harry Browne’s “How I Became Free in an Unfree World,” Anton LaVey’s “The Compleat Witch,” Taylor Ellwood’s “Pop Culture Magick,” and Ouspensky’s “The Psychology of Man’s Evolution.”
I got into listening to podcasts. I fucking love Dan Carlin’s Hardcore History. His World War I podcast is a masterpiece. Radiolab’s podcasts are short and sweet, and packed full of interesting conversation starters. Joe Rogan’s podcast is interesting too–but that’s a sometimes food.
I traveled to Spain. Beautiful country. I want to live there! Marbella is basically one of my favorite spots in the universe.
I had a crazy twelve hour surgical procedure on my skull to soften it up in order to become more passable as a woman. So far, so good!
I moved from the east coast to the west coast. West coast best coast!
Traveled all over the U.S. Spent a fuckload of time in Dallas Airport. I would say it became my second home this year.
Went to South Carolina in a hurricane, with floods everywhere. That was fun. And underwhelming. Ain’t nothing but a thing!
Played a lot of different games this year. My favorites include: Xenoblade Chronicles X, Fallout 4, Wonder Project J2, Knuckles Chaotix, and Magician Lord.
While we’re on the video game subject we setup the ultimate retro setup in my self-improvement chamber. We have everything! NES, SNES, Sega Genesis, 32X, Sega Saturn, N64, PSX, PS2, Dreamcast etc. It’s pretty awesome having access to every old school game that we grew up with.
Back in 2011 I had a really tough choice to make. It was a little after a year since I rebounded from rock bottom. The year before I was so broke that I almost prostituted myself in order to pay for tuition to one of the many expensive New England universities. As my bills closed in all around me, I desperately started applying for jobs everywhere. Somehow, by some immense luck I was hired to work the world’s shittiest retail job. This job wasn’t glamorous or fun by any means, but it paid the bills. By the end of 2011 I decided that I had a choice:
1. Finish my school and be more in debt than I could ever hope to pay back with the English degree I was going for.
2. Buckle up and work my ass off in order to work towards paying for facial feminization.
I chose to buckle up.
Fast forward to 2015, it was a solid choice that paid off. I’m always worried that I’m a goddamn quitter, but I suppose that’s not an accurate observation of myself. I’m just not a multi-tasker—because who believes in that bullshit phenomena? I had the foresight to understand the needs of my big SELF and ran with it. If I had decided to go the school route I probably would’ve ended up quitting eventually anyway.
During this four year period, I read absolutely nothing. Unless you count Kotaku, but let’s get real, Kotaku doesn’t count. Reading Kotaku is more like reading a coloring book. I probably killed more brain cells reading it than if I had read nothing at all. Amidst all of this heavy mental lifting I ultimately decided in late 2014 that I needed something to rekindle my reading spirit. Enter Ipssismus Don Webb’s book “The Seven Faces of Darkness: Practical Typhonian Magic” (#2AG). I was drawn to this book for a few reasons:
1. Its scarcity. At the time there weren’t any reprints available for any of Ipsissmus Webb’s more popular Rûna-Raven books. It made me want to get a hold of it even more.
2. I had just finished marathoning American Horror Story: Coven. This show was rocket fuel for me. It definitely inspired me to investigate the Left Hand Path moreso than I had done in the past.
3. At the time, I recently played Bayonetta 2 and replayed Bayonetta 1. As someone who once sang about dissecting angels in a Satanic Black Metal band I felt connected with Bayonetta on a visceral level. A witch that kicked angels asses? I could see myself doing that. What was the next best thing? Investigating the writings of Ipsissmus Webb of course! I can’t explain how that works into any kind of rational thought, but that’s how it went!
Initially, I decided against buying (#2AG) in light of the fact that it was going for almost $300 USD on Amazon. I found a really crappy PDF copy of this book online that I had to reformat. I eventually ended up buying physical copies of Ipsissimus Webb’s entire Rûna-Raven backlog from Lodestar after they were re-printed earlier this year (2015).
As someone who knew absolutely nothing about traditional ceremonial magic “The Seven Faces of Darkness” proved to be an invaluable resource. If I could call (#2AG) anything I would call it a crash course in what it means to be a practical traveler upon the seemingly not-so-practical roads of the Left Hand Path initiate. The Left-Hand Path isn’t exactly the easiest thing to understand from the outside looking in. “Seven Faces” gave me a small taste on some of the more intricate aspects of a traditional magical system–Hermeticism, without overwhelming me with the drier details. Those drier details I found later in other books like Ipsissimus Flowers “Hermetic Magic: The Postmodern Magical Papyrus of Abaris” (#3Y), and Franz Bardon’s “Initiation into Hermetics.”
I will admit, upon my first reading of “The Seven Faces of Darkness” I felt very confused about what I needed to take away from it. I found Chapter 6 on “Spells” to incredibly useless—at first. The selection of the PGM (Papyri Graecae Magicae) available in this chapter is home to some pretty heinous shit. The first time I read the words for the Coptic spell “Oil Spell for Sealing a Marriage with Hot Sex” I laughed a little bit. I couldn’t ever see myself using most of these spells within the context of how they were written. As I look back at them a year later, I see something different. I see examples–models which I can apply to my own workings.
As a former English major I take an interest in understanding context. Especially with details that might not be entirely apparent at first glance. For example, Dante’s “Inferno” can be interpreted as an allegory for the political conflict going on in Florence during the 14th century between the Pope and the Holy Roman Emperor. Dante even puts people he actually knew in real life, like Filippo Argenti, in the poem.
(Incoming EXTREMELY loaded paragraphs…)
Of course, understanding the historical context of something seven hundred years old isn’t nearly as difficult as trying to ascertain the “assumed” to be second and third century contextual meanings of Hermeticism. I say assumed, because there are so many details we don’t know about Marsilio Ficino’s translation of the “Corpus Hermetica.” The “Corpus Hermetica” was “lost” during the middle ages but magically reappeared after the de Medici family acquired it somewhere in Byzantine.
Alchemy was in vogue during the Renaissance and much of the Ficino translation—appears to be biased towards the “lead to gold” obsession of the seventeenth century. Regardless, let’s assume his translation is based off of authentic texts used to compile the Hermetic Corpus. It’s still not first hand information. I would say it’s more like third or fourth hand information. Contextually, much of what we have from Ficino’s translation is through the lens of the seventeenth century alchemical philosophy and not from the entire perspective of the second century author(s) of the Hermetic Corpus.
Much of what the original authors of the PGMs were going for have been all but lost. Unless, of course, we take an educated guess as to what they were going for and applying that knowledge to what we know about Greek, Coptic, and Demotic traditions and languages.
Ipsissimus Webb writes, “Postmodern theories argues that magical language isn’t gibberish, but an appropriate form of discourse with another realm of existence.” (15) I appreciate the fact that he included a detailed analysis of three Hermetic workings in Chapter 2. It breaks down the seemingly confusing spells as models for further assumed understanding of magical formulae. We can be apply this model to other Initiatory practices/traditions.
The PGM may seem especially dangerous to those unfamiliar with it, in light of the fact that we don’t necessarily understand the context of, or the exact precise meaning or pronunciations of words written down in these works. When we say words like “BOLCHOSÊTH” without any knowledge as to what that word means, what is that doing for us? For all we know when we say this word our subjective interaction with it might send an encoded message to ourselves that may cause some unintended consequence in our “world.” Though, this sort of superstitious Mickey Mouse bullshit sounds closer to a Right Hand Path contextual understanding of the PGM.
Herein lies the most interesting aspect to (#2AG). When does historical context become useless in terms of applying it to the use of magical technology?
Even after we begin to recognize simple formulaic words such as BOLCHOSÊTH as “Ba’al strikes Set” are we even pronouncing it correctly (BOLE-CHO-SEET)? For all we know this could be the wrong pronunciation of the word. We don’t know for sure! We’re two thousand years away from understanding the actual implied context of the words found in the PGM. For all we know pronouncing BOLCHOSÊTH as “BOLE-CHO-SEET” with a hard “T” sound at the end instead of a soft “TH” sound could make the word mean something entirely different.
For a more up to date example let’s look at the Japanese words for cute and scary:
Scary is kowai (怖い,こわい) . ko – why
Cute is kawaii (可愛い,かわいい) ka – wa – ii
Notice senpai–that these words sound awfully similar to the Western ear. However, they mean the exact opposite thing in relationship to one another. One lazy delayed pronunciation of 可愛い (kawaii) might make your Japanese friends think your waifu is a scary bitch! Case in point, you used a word with the wrong pronunciation and it produced a different result than you anticipated.
For another example see “Army of Darkness” and Ash trying to say the words “klaatu barada nikto” correctly:
“WAIT A MINUTE. EVERYTHING’S COOL. I SAID THE WORDS. I DID!”
So why is all of this vital to our usage of ancient magical technology?
Well—the fact of the matter is, context isn’t all that important. Unless of course you’re using the PGMs or magical technology like it under the veil of superstition. Only then does context become everything. This why magical technology, in general, can be dangerous to use. If your subjective sense of self perceives a misalignment of context to be dangerous in the usage of magical technology then it will pose an actual danger to your subjective self.
Seeing beyond this, my biggest takeaway from (#3AG) with regards to magic is that magic comes from you. It doesn’t come from saying ABLANATHANALBA sixteen times or from the trappings of the ritual chamber. Magic comes from you, and the only thing that is vitally important to its use is intent. Everything else is auxiliary to the usage of the PGM or other forms of magical technology. Understanding how to formulate more and more accurate forms of intent in the magical chamber is much like habit forming (think neuroplasticity)–it takes practice. Webb writes “The magician will (after practice) free him-or herself from the text, and as each successful immortalization of the soul occurs, the magician begins to act on a more and more divine level. For the advanced magician every act becomes a magical one. He or she is said to have become magic (heka) itself.” (39)
Acting on a “more and more divine level” screams to me as being able to form clearer and more clearer routes of concise and exact modes of intent in the magical chamber. We practice this “freeing” from the text as Ipsissimus Webb writes in order to get magic to do what we want it to do, which may not be what the authors’ of the original texts had intended for a working . “Each successful immortalization of the soul” or intent is accomplished by practicing this over and over again. Only when we truly “say what we mean and mean what we say” with regards to our intent in the usage of magical technology can we “become heka” itself.
I created a graph called “The Intent Funnel” to illustrate the various levels of effectiveness in terms of formulating an accurate intent for workings. You can chart intent on this graph based its specificity. The more specific the intent the better—obviously. The more vague, the easier it is to read anything as a possible result from your workings. I tend to think this is bad, especially in operative workings where you’re trying to accomplish a specific thing. A vague example of intent in an operative working would be “I want to be rich!” You didn’t say by what means you wanted to be rich, and you didn’t give yourself a time frame. You also didn’t even say what you wanted to be rich in. For all you know you could become rich in sorrow! Which is why this sounds like a vague mode of intent to me. That would be charted right at the very top of the graph.
On the other hand, an example of a more specific mode of intent would sound something like this: “I want to go to Harvard to study astrophysics with Dr. Von Loki and graduate in 2019.” This would be charted closer to the bottom of the graph as it is much more specific than the first example.
To conclude, Intent is not wishing for something to happen. Intent is like a GPS, and magical technology is like the car. The destination is the result of a working. You may want to go down the road that might result in making you part of the nouveau-riche elite, but unless you program your GPS with precision, you might be taking the long way to get there.